Notes & Credits

All projects are Directed and DP'd by Rich Underwood except for collaborations in the following projects. The Amercan/ TWA project was done with Mark Satuloff in the Producer/Director roll with the closing aerial shots captured by Fred Ashman and Clay Lacy Aviation, the Blue Cross spots were DP'd by Curt Apduhan, Tim Nelson was the Writer & Directed for the Rio spot and Bob Marden was the agency Creative Director / Director of the BabyCal Spot.

The American TWA spot was shot on 16mm and telecined at The Post Group.
Barona Golf was shot on 35mm with a 30ft jib arm.
Hustler Turf was shot on 35mm with a combination of jib and camera mounts on the mower.
The music was created by Singing Serpent.
The Singer spot was shot on 35mm and part of a campaign to upgrade the image of the brand.
The Blue Cross "Fence" spot was shot with an acrobat from Cirque du Soleil.
The Blue Cross "Dance" spot was shot on a stage with a glass floor for the "up" shots.
The Barona Casino "Wall" spot was shot using a Milo Motion Control unit.
The Rio spot was part of a 5 spot campaign which shot over 10 days.
Extensive Xenon foreground lighting.

The Infospace project is a combination 24P video and Flash Animation.
St. Vincent De Paul was shot on 35mm and telecined to be black and white with only one tone colored in brown.

The BabyCal spot was shot on a small stage with a very small 3 wall set and crib. The one window wall was broken away and moved 15ft forward of the main set to shoot the majority of the project through the window.
The Scripps campaign used real people in the interviews. I used a technique where my face is asking the questions - in real time - on a teleprompter screen mounted in front of the film camera lens.
The UCSD spots were shot on 16mm and used a more standard interview technique.